The key finds at the Rocky Mountain Audio Fest 2013 were huge collections of vinyl and turntables, and computer-based playback systems. That’s it folks, CDs are officially a thing of the past. Here is Jeff at one of the many record shops – this one was crammed into a room on the 9th floor of the Marriott – if they always had a room like this I’d only stay at the Marriott! We also listened to some super high-quality digital music off of phones and tablets. One of the coolest things we found, and bought on the spot, was the Resonessence Labs Herus. The Herus is a no frills, bite sized, DAC and headphone amp, and sounds remarkable.
On our way to Denver to see all of our good friends at the Rocky Mountain Audio Fest 2013. Gonna play some of our latest DSD recordings. There will be some serious geeking out, and we will love every minute of it!
Howdy. We’re in the process of moving to a new, more focused site. So please bear with us while we get things up and running. We’ll be back with more tracks and news from the studio soon!
Lately we’ve been finding that we are working much quicker using a combination of mics on a source, to paint a picture of an instrument in a specific mix – rather than EQing to get it to sit right. If we are very careful during setup to get the collective phase right, each mic adds something to the overall sound, rather than taking away from it. We don’t use all of the mics in this picture at the same time, just a combination of a few for the right sound. Couple this with a nice selection of amps and guitars, and the possibilities are endless – makes commiting electric guitar on many songs in a short period of time very easy. The microphones on this Carr Rambler are the Shure SM57, Royer 121, Sennheiser 421, Sennheiser 441, Shure 313, and Josephson E22s, all being amplified by Electrodyne 501 mic pres.
Working with musician Andrew Leonard on how to define what we love about classical guitar, and how to properly record it. SnowGhost has developed a very special method using Telefunken C12s, Sanken CO-100ks, and LaChapell 992EGs to capture the purity of the image of the guitar, as well as how it interacts with the room – with great success. Andrew agrees that the classical guitar, and the room in which it is played, are not mutally exclusive – that interaction or relationship should be presented in a good classical guitar recording.
Just finished restoring a special collection of vintage vinyl records, archiving them to hi-definition digital for a client. Played back through our Spiral Groove SG1.1 turntable and VTL 6.5 phono stage, into our Forssell MADA-2, into SoundBlade HD at 96kHz, 24Bit PCM. A deep cleaning with our Loricraft PRC 3, a touch of DW Fearn’s VT-4 EQ, DeClick and DeCrackle with SoundBlade HD’s NoNoise II SR suite, and broadband noise reduction with TC 6000’s BackDrop. Sounds so rich and dynamic – much better than modern CD “Remasters” in most cases! Here is the classic Herb Alpert Tijuana Brass Band’s Whipped Cream & Other Delights, maybe one of my favorite album covers of all time.
One of our favorite performances from the vault. Kati O’Toole has been a long time collaborator with SnowGhost. Check back in for music from her and Brett soon, as they have been getting together weekly to write new music.
Thanks to music and digital media expert Dr. Mark Waldrep from AIX Records and iTrax for making it out to see us, and for the great write up on his findings. Mark is one of the good guys, working tirelessly to get the word out to young people about how to record and distribute hi-definition, multi-channel digital audio. After our late night bouncing around seedy clubs in the lower east side of Manhattan, during the NY Audio Show 2013, with Mark and our friend RJ from Pitchfork, we realized – he’s pretty hip too! Mark’s Article