In the previous post, there was talk of the shitty album. Closer inspection of said blog would reveal that ‘shitty’ referred to the overall quality of an album as a musical piece of work. Something that somehow didn’t occur to me at the time, despite the fact that we here at SnowGhost are complete wine snobs of audio quality, was the sonic production value of an album. Obviously, though this wasn’t so obvious to me very recently, the way an album is recorded and how it sounds is crucial to the level at which one can enjoy it. A shitty-sounding album, even if it is full of great songs, is still shitty, right? Or is it a great album that transcends sonic concerns because it is a marvel of songwriting, band cohesion, emotional captu... read more >

