Moebius Story and Leidecker at SnowGhost


Littered with found sounds, droning synths, gritty beats, and some straight up wacky stuff, there’s something special about new release ‘Snowghost Pieces‘. It was a dream come true for us, having listened to early Krautrock like Kraftwerk, Cluster, and Neu! for years – and this recording trio is comprised of Kraut-royalty.

Dieter Moebius charted new “Krautronik” ground as one half of Cluster. The Americans Tim Story and Jon Leidecker are two electronic musicians who could not be more different to one another. Story is known for his warm soundscapes whilst Leidecker has made an name for himself, or rather for his “Wobbly” pseudonym, with experimental adventures in sound.

The reviews have already started coming in: Music OMH“thoroughly enjoyable production and one that equally rewards as a close, detailed listen”; Billy Ray Martin“features harmonious, electronic improvisations of the highest order”; DereksMusicBlog“it’s a genre melting album, Magnus Opus that anyone who enjoys electronic music must own”; The Skinny“ambitious in its depth of texture, this is experimental music from the bleeding-edge”.

We feel honored that Moebius, Story, and Leidecker made the trek all the way out to Montana by way of Berlin, Ohio, and San Francisco to compose, perform, and record their first collaborative work together.


Check out the first video from ‘Snowghost Pieces’, the twisting and turning ‘Defenestrate’.



Coachella 2014 was as much of a social gathering, as it was an arts and music festival, this year. I have been to numerous Coachellas, starting with the first annual, Coachella ’99 – and I have always enjoyed just being a fan. I felt that this year’s Coachella definitely put people’s appetite for individualistic social media on display. Littered with eye-popping outfits and hard-bodies, drones and GoPros, and selfie shutterbugs – Coachella was dominated by EDM – and yet, high profile DJs like Skrillex, Flosstradamus, and Calvin Harris were the observers.  In this pop culture movement, the entertaining line between performer and audience is blurred.

Why I Love Mechanical Music


Real mechanical music has the ability to get people to camp out, around the fire, so to speak. Music is unique in that it stokes so many physical, mental, and emotional triggers. It’s impressive experiencing the human mastery of a mechanical instrument, emulating nature at it’s core. Most commonly via musicians performing live, there’s something about the mechanical experience of music that makes people stop and stare – and most importantly, listen. Today, I feel like have to acknowledge vinyl playback as a mechanical live performance, as it seems to have the same effect on the community.

I was at a few casual gatherings this past week, where my friends’ teenage kids had turntables and a bunch of their parents’ old records – we actually hung out together, with the kids and parents picking records, talking about the music. I was most amazed that the kids had the interest and patience to listen to their parents’ music – you tell me the last time you saw teenagers willingly hanging out with a bunch of crusties, let alone talking about the crusties’ music. The live performance of music has the ability to bring people, young and old, together – they forget their cultural differences. Do you think it’s because that performance is mechanical in nature?

This new revival of vinyl has gotten me thinking – do people actually view vinyl playback as a live musical performance? They sure seem mezmorized in the same way – much like they would be at a concert. Would that explain the attraction to vinyl playback? Is it a chance to mechanically experience your favorite artists in concert, with your friends and family? I know that this mechanical music experience thing must be real, as it has extended beyond the hipster-clad big city, to the no nonsense small mountain towns of Montana – with new vinyl-only stores opening like Spanky’s and Gus, Old School Records, and the upcoming vinyl nights at the Tupelo Grille bar, mechanical music seems like it’s on the move.

Sonic Youth

Tiana Crist PianoWe all have experiences in life that we never forget, flashes in time we keep with us the rest of our lives. This week marks one of those milestones for local pianist Tiana Crist…

In today’s world of music, it can be difficult for our youth to get the support they need. At a very excited 10 years young, Tiana has that support system from her parents – thank you Sally and Chad for the encouragement! She has incredible skill and keeps a very humble attitude towards her art, even for someone who reads music and is already writing her own compositions.

Take a listen.

The Fan In Me

Beatles Necklace

The other day my neighbor and I got into a discussion, and I found out that she was basically one of the biggest Beatles fans ever. She told me that she had all of their records, trading cards, ticket stubs from their last show at Candlestick Park, clothing, stickers, posters…. everything. And then she told me about her prized possession – a gold medallion with John, Paul, George, and Ringo. Mop tops and beatnik suits. She told me what made this necklace rare was not the limited edition photo on the front, but that it also had all of their signatures carved into the back. I couldn’t believe it. In this lonely digital age, I had found a super fan. I remember collecting baseball cards when I was a kid. I learned all about my favorite players that way. I based hang out sessions with my friends around talking shop and traded cards – it brought me closer to the game, and it gave me a sense of community… even if they were just cardboard cutout friends. I wonder if the digital music consumers of today know what they’re missing, not being able to touch and feel a piece of the music. Maybe they don’t care. Must be the fan in me.

Got Change For 20 Grand?


We had a great week with Whitefish’s favorite funk band, 20 Grand. It paid off gigging endlessly this summer, as they got their keeper takes from a live pass through all of the songs – that energy definitely comes across in the recording. We are in the process of mixing and mastering the project, and it is sounding great so far – They have started a 20 Grand Kickstarter page to generate some pre-sales and get the project wrapped up, complete with a hilarious introduction video filmed in the SnowGhost control room. Here is a rough-mix-sneak-peek of their new tune ‘Dump Truck’ – Enjoy!

We Love Our Work

JP Quartet

Thanks again to the John Pizzarelli Quartet for visiting SnowGhost Music! A few of the best jazz musicians of our time, John and his brother Martin are two current snapshots from the past of their father Bucky Pizzarelli, a living legend within the jazz community. John and Bucky have also recorded their fair share of pop music, John playing on Paul McCartney’s last record Kisses On The Bottom, and Bucky on some of Phil Spector’s biggest hits. When you add in Monty Alexander on the Steinway, a man who some argue as one of the best pianists in the world, it’s recording days like these that we live for.